Showing posts with label Zener cards. Show all posts
Showing posts with label Zener cards. Show all posts

Monday, March 4, 2013

The Unseen: Book Club discussion questions


Thanks so much for choosing The Unseen for your book club discussion!  Below you will find a set of discussion questions to get your meeting going, and some history behind the book.





One of my very great pleasures in book touring and book club appearances is that I get to hear other people’s real-life ghost stories and psychic experiences. I hope that your book group will be able to use the book as a jumping-off point to share your own stories (I find a little wine can be a great help getting those stories flowing! Chocolate also works...).

Here are some thoughts and questions to get the discussion going.







1. As I write about in The Unseen, parapsychologist Dr. J.B. Rhine’s wife and colleague, Dr. Louisa Rhine, conducted her own long-term study for the Rhine lab, in which she gathered thousands of accounts from all over the world of psychic occurrences and followed up with interviews, from which she isolated several extremely common recurring patterns of psychic experiences, such as:

+ Crisis apparitions: in which a loved one appears to another loved one at a moment of extreme trauma or death.


+ Precognitive dreams: dreaming a future event.

+ Visitations in dreams: a dead relative or significant other coming to a loved one in her or his sleep to impart some crucial bit of information.

+ Sympathetic pain: in which a loved one feels pain in a limb or elsewhere in the body when another loved one is injured in that place (often this is birth pains that a female relative will experience when a daughter or other female relative goes into labor).

Questions for the group: Have you or someone you know ever had a paranormal or psychic experience?  Did it fall into one of the above categories, or was it something else?


2. One of the themes of all of my books is that people are inexorably drawn to their greatest fear, and many of my books climax with the main character forced to confront his or her greatest nightmare in the flesh (or sometimes, spirit!).  Psychoanalyst Sigmund Freud called this tendency the “repetition compulsion.” He believed that all human beings are psychologically compelled to repeat early childhood traumas until we can finally transcend the situation.

In The Unseen, do you see Laurel being drawn to repeat past traumas?  Do you see yourself or people in your own life struggling with the “repetition compulsion”?


3. As an author, I often dream story ideas, so I try to write my dreams down every morning to make sure I remember them.  Many reported psychic experiences also occur during dreams.  (One example that fascinates me is that many people dream that they are ill,  and the exact specifics of their illnesses, long before any medical practitioner diagnoses the illness.)  The Torah says that “A dream uninterpreted is like a letter unopened.” 

Do you remember your dreams?  Have you ever dreamed something precognitively?


4. Do you believe in an afterlife?  Do you think ghosts are the real spirits of the departed, or do you think they’re psychological manifestations of our own desire to see a loved one again or learn something from them?  Or something else?

5.  There seems to someone in almost everyone’s family who is known to have “the sight” or “visions” or “dreams,” like Laurel’s grandmother and her Uncle Morgan.  

Is there someone in particular in your family who has that reputation? Is there a family ghost story that’s been passed down?

6.  I get many e mails from readers about the ending of The Unseen. Some people are disappointed that I don’t specifically explain what caused the haunting of the Folger house. Other people think the ambiguity of the ending, the convergence of many different forces and explanations, is the best part of the book.  

What did your group think about the ending?

I am available for Skype appearances and am also happy to answer questions from the group in the comments here on this page.

If you would like to read more about the real-life haunted mansion that inspired the book, here’s some history and photos:


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WHERE DO YOU GET YOUR IDEAS?

Pretty much the first question an author is ever asked about a book is: Where did you get the idea for the book?

Well, The Unseen is a book that has been percolating for a long, long, LONG time.

Since my childhood, really.



I’m sure a good number of you recognize these:

The Zener ESP cards.




I don’t know about you, but just the sight of those images gives me a thrill. Maybe I mean, chill… because it’s all about the unknown. Do we have that sixth sense, the freaking power of extra-sensory perception, or do we not?

Parapsychologist Dr. J.B. Rhine said we do. All of us. And in the late 1920’s, on through the 1960’s, he used the brand-new science of statistics to prove it, in controlled laboratory experiments that made him a household name.

I have no idea how I first came to hear about this, but then again, I grew up in California, specifically, Berkeley - and astrology and Tarot and meditation and anything groovy and psychic was just part of everyday life.

And it was very, very early that I first heard of Dr. Rhine and the ESP tests. In fact, my sister the artist made a set of her own Zener cards when we were in just fourth or fifth grade. I swear, it was in the air.

Here’s the principle: take a pack of twenty-five Zener cards, five sets of five simple symbols: a circle, a square, a cross, a star, and two wavy lines, like water. Two subjects sit on opposite sides of a black screen, unable to see each other, and one subject, the Sender, takes the pack of ESP cards and looks at each card, one at a time, while the Receiver sorts another set of cards into appropriate boxes, depending on what card s/he thinks the Sender is holding and communicating.

Pure chance is twenty percent, or five cards right out of a deck. Because if you have five cards, chance dictates that you would guess right 20 percent of the time.

So anyone who scores significantly more than 20 percent is demonstrating some ESP ability. (The Rhine lab generally used 5 sets of cards for each test run).

You can try it online at any number of places, including here.

And seriously, don’t we all – or haven’t we all at some point – think we have some of that? It’s kind of seductive, isn’t it?

Now, what Dr. Rhine was doing with these Zener cards was truly revolutionary. By the 1920’s the whole world, pretty much, was obsessed with the occult and spiritualism, especially the idea of life after death and the concept of being able to connect with dead loved ones on whatever plane they were now inhabiting.

There were many factors that contributed to this obsession, but two in particular:

1. Darwin’s publication of THE ORIGIN OF THE SPECIES, in 1859, which began a worldwide anxiety about whether there was any afterlife at all… and a fanatic desire to prove there was… especially among some scientists, interestingly enough.

And

2. The Great War, or as we know it now, WWI, in which so many people died so quickly that traumatized relatives were desperate to contact their lost – children, to be blunt - infants, as in “infantry,”underage cannon fodder – and have some hope that they were not lost for eternity.

The Great War really kicked spiritualism into high gear.

This was the age of “mediums”, most of whom were total frauds, con artists who used parlor magician tricks to dupe grieving relatives into believing their lost loved ones were coming back to give them messages – for a hefty price.

Well, (after a brief stint in botany and an abrupt switch to psychology) Dr. J.B. Rhine began his career debunking fraudulent mediums. His commitment to the truth won him a reputation for scientific integrity and a position at the newly established parapsychology lab at Duke University in North Carolina, the first ever in the U.S., where Rhine and his mentor, William McDougall, embarked on a decades-long quest to use the brand-new science of statistics and probability to test the occurrence of psychic phenomena such as ESP and psychokinesis (the movement of objects with the mind).

Using Zener cards and automated dice-throwing machines, Rhine tested thousands of students under laboratory conditions, and by applying the science of statistics to the results, came to believe that ESP actually does occur.

Rhine’s wife and colleague, Dr. Louisa Rhine, conducted her own parallel study, in which she gathered thousands of accounts from all over the world of psychic occurrences and followed up with interviews, from which she isolated several extremely common recurring patterns of psychic experiences, such as:

Crisis apparitions: in which a loved one appears to another loved one at a moment of extreme trauma or death.

Precognitive dreams
: dreaming a future event.

Visitations in dreams: a dead loved one coming to a loved one in her or his sleep to impart some crucial bit of information.

Sympathetic pain: in which a loved one feels pain in a limb or elsewhere in the body when another loved one is injured in that place (often this is birth pains that a female relative will experience when a daughter or other female relative goes into labor).

The Rhines’ daughter, psychologist Sally Rhine Feather, has written a fascinating book on the above called THE GIFT, which was extremely helpful in my research for The Unseen.

Now, most people who read about the paranormal and parapsychology, even casually, are aware of Dr. Rhine and his ESP research. But most people are not as aware that researchers in the Duke lab also did field investigations of poltergeists, starting in the late 50’s and early sixties.

Poltergeists!

I don’t know about you, but that just rocks my world. What ARE they? Are they the projected repressed sex energy of frustrated adolescents? Are they ghosts? Are they some other kind of extra-dimensional entity? Is it all just a fraud, a fad, perpetrated by people who wanted media attention before the advent of reality TV?

So I’ve always wanted to so something, sometime, about the whole Rhine/Duke/ESP/poltergeist thing.

And then a few years ago my significant other handed me a column torn out of the newspaper about a lecture on the Duke campus called: “Secrets of the Rhine Parapsychology Lab” and said, “You should go to that.” Because he knew I liked that kind of thing, but he had no idea that I’ve been obsessed with Rhine since I was – seven, eight, whatever.

And I did go to the lecture, and I was stupefied to learn that after the parapsychology lab officially closed in 1965, when Dr. Rhine reached the mandatory age of retirement, seven hundred boxes of original research files were sealed and shut up in the basement of the graduate library, and had only just been opened to the public again.

Is that a story or what?

All those questions that instantly spring to mind. Why did the lab close, really? (Well, in truth, Dr. Rhine retired. But what if…) Why were the files sealed? Was someone trying to hide something? And most importantly - What the HELL is in those boxes? SEVEN HUNDRED boxes?

So you know that question authors love: Where do you get your ideas?

That’s where I got my idea for The Unseen

But it all started with a childhood obsession and years of random research on the subject that suddenly caught fire with some specific field research and one choice factoid.

And now it’s your turn to tell me!   Have you ever experienced a crisis apparition, a precognitive dream or visitation, or sympathetic pains? Or do you know anyone who has? Do you believe these things happen?  Or do you have an alternate, rational explanation?

- Alex


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Saturday, February 23, 2013

Writing The Unseen



I didn't plan it this way, but my big promo for my parapsychology thriller The Unseen is happening at the same time that I'm heading down to a writing retreat with my posse of mystery writer friends (I should say goddesses!): Margaret Maron, Sarah Shaber, Diane Chamberlain, Katy Munger, Mary Kay Andrews and Brynn Bonner.  Several times a year we go on retreat to the beach or the mountains or some generally fantastic place. We work all day long by ourselves and then convene at night to drink wine and brainstorm on any problem that any one of us is having (and of course, compare page counts!).
And one of our favorite retreats is the Artist in Residence program at the Weymouth Center in Southern Pines, NC.  

Weymouth is an amazing place – a 9000 sq. foot mansion on 1200 acres (including several formal gardens and a 9-hole golf course) that’s really three houses melded together. It was what they called a “Yankee Playtime Plantation” in the last quarter of the nineteenth century, the fox hunting lodge of coal magnate James Boyd.  James Boyd’s grandson James rebelled against the family business to become - what else? - a novelist. Boyd wrote historical novels, and his editor was the great Maxwell Perkins (“Editor of Genius”), and in the 1920’s and 30’s Weymouth became a Southern party venue for the likes of F. Scott Fitzgerald, Sherwood Anderson, and Thomas Wolfe. That literary aura pervades the house, especially the library, with all its photos and portraits of the writers who have stayed at the house.
It’s a fantastic place to write – pages just fly.  

It's also notoriously haunted.

When you write ghost stories, PLACE is hugely important - it's got to be absolutely a character in the book, just as much as the human characters are.  
And THE UNSEEN   is a haunted house story – two psychology professors take a group of psychically gifted students into a house with a history of poltergeist manifestations, to replicate a controversial experiment from the 1960’s.  I was inspired by the real-life, world famous ESP testing and poltergeist investigations that took place at the Duke University parapsychology lab, headed by Dr. J.B. Rhine.



Zenercards

You probably recognize those cards, which were used in laboratory tests to determine through statistical analysis whether ESP really occurs.   Two test subjects would sit at a table divided by a screen, and one subject, the sender, would flip through a deck of 25 cards, concentrating on one card at a time, while the receiver would write down her or his guesses about what that card was.
Pure chance is 20% right, so any score significantly above chance was considered to be an indicator of some psychic ability.   And if you want to try it for yourself, here's an online version of the test! 
As the daughter of scientists, I was always completely fascinated by the idea of testing something as spooky cool as ESP in a laboratory setting.   But what really hooked me about the history of the Rhine lab was that in the sixties, the researchers started doing field research of haunted houses and poltergeists.  
Poltergeists!
I know what a ghost is, kind of, but a poltergeist is such an elusive - creature.   Is it the random sexual energy of an adolescent gone wild?    Is it a particularly noisy and mischievous ghost?   Is it an otherworldly entity?   Or is it just a teenager faking spooky effects for attention?
The mystery of it has always fascinated me.  
Now, I truly believe that when you commit to a story, the universe opens up all kinds of fantastic opportunities to you.   And I started writing THE UNSEEN at the same time that our group had its first trip to Weymouth. In fact, we came down to the house on the very day that my characters were moving into THEIR haunted house.
(I’m telling you, writing is a little scary.  More than a little scary, in this case…)
Some of us had some truly spooky encounters in that place.   Every time I turned around there was knocking on the walls (the pipes in the kitchen), weird manifestations (a ghostly team of horses trotting by with a buggy on the road outside) and rooms that were just too creepy to go into after dark.  One night I had to go all the way back upstairs, across the upstairs hall and around to the front stairs to get to a room I wanted to go to because I was too freaked out to cross the Great Room in the dark.   And another one of us had the classic “Night Hag” visitation:  she woke up feeling that someone or something was sitting on her chest.  Brrrrr…..
One prevalent theory of hauntings is that a haunting is an imprint of a violent or strong emotion that lingers in a place like an echo or recording.   I’ve always liked that explanation.
Well, this house was imprinted, all right, but far beyond what I had expected.
Because besides the requisite spooky things… that house was downright sexy.  There’s no other way to say it.   Seriously - hot.
I had ridiculously, I mean – embarrassingly -  erotic dreams every night.  There were rooms I walked into that made my knees go completely weak.   The house, the gardens, even the golf course, just vibrated with sex.
Now, maybe that was just the imprint of creativity – the whole mansion is constantly inhabited by writers and musicians, and as we all know, creativity is a turn-on.
But also, consider the history.   As I said – Weymouth was a “Yankee Playtime Plantation”.   Rich people used that house specifically to party - in the Roaring Twenties, no less.   (Think THE GREAT GATSBY!).   God only knows how many trysts, even orgies, went on.   So could sex imprint on a place, just as violence or trauma is supposed to be able to imprint?
It makes sense to me.
That sexual dynamic surprised the hell out of me, but it completely worked with my main character’s back story - she’s a young California psychology professor who impulsively flees to North Carolina after she catches her fiancĂ© cheating on her.  (Actually, she dreams her fiancĂ© is cheating on her, in exactly the scenario that she catches him in later.)    So her wound is a specifically sexual one, and one of her great weaknesses is that she’s vulnerable to being sexually manipulated.  
Add to that that the most prevalent explanation of a poltergeist is that it’s hormones run amok:  that the projected sexual energy of an adolescent or young adult can randomly cause objects to move or break.
So of course I went with it.   It wasn’t anything to do with my outline, but California girl that I am, how can I not go with the obvious flow?
I think it adds a great dimension to the story, in a way I never could have anticipated, and I’m pleased to have been true to the - um, spirit - of poltergeists.
So first, I’m always interested in hearing your ghost and psychic experiences.  Come on, I know you have them.  And then of course, there's the "How far will you go to research?" question!  Do you all take this to the same extremes I do?