Showing posts with label Book of Shadows. Show all posts
Showing posts with label Book of Shadows. Show all posts

Sunday, July 14, 2019

Get 30 free thrillers - including Book of Shadows!

For Prime Day (July 15-16) I'm participating in a 30-thriller giveaway. You can pick and choose, or just go to the linked page, click the ADD ALL TO AMAZON CART button. and get all thirty delivered to your Kindle, including my witch thriller Book of Shadows. 

 https://www.freethrillerebooks.com

  
  Homicide detective Adam Garrett is already a rising star in the Boston police department when he and his cynical partner catch a horrifying case that could make their careers: the ritualistic murder of a wealthy college girl that appears to have Satanic elements.

The partners make a quick arrest when all evidence points to a troubled musician in a Goth band who was either dating or stalking the murdered girl. But Garrett's case is turned upside down when beautiful, mysterious Tanith Cabarrus, a practicing witch from nearby Salem, walks into the homicide bureau and insists that the real perpetrator is still at large. Tanith claims to have had psychic visions that the killer has ritually sacrificed other teenagers in his attempts to summon a powerful, ancient demon.

All Garrett's beliefs about the nature of reality will be tested as he is forced to team up with a woman he is fiercely attracted to but cannot trust, in a race to uncover a psychotic killer before he strikes again.


"A wonderfully dark thriller with amazing is-it-isn't-it suspense all the way to the end. Highly recommended." - Lee Child

"Sokoloff successfully melds a classic murder-mystery/whodunit with supernatural occult undertones." - Library Journal


"Compelling, frightening and exceptionally well-written, Book of Shadows is destined to become another hit for acclaimed horror and suspense writer Sokoloff. The incredibly tense plot and mysterious characters will keep readers up late at night, jumping at every sound, and turning the pages until they've devoured the book." - Romantic Times Book Reviews

"Fast-paced with strong characterizations, fans will enjoy this superb thriller, as Adam and the audience wonder if The Unseen could be the killer." - Publisher's Weekly


And here's a plus - the audiobook of Book of Shadows is narrated by RC Bray, my fantastic narrator from the Huntress series. Get it on Audible for $7.49 or 1 credit!



MORE ABOUT BOOK OF SHADOWS

It’s fascinating to me how when you write a book, everyone always assumes it’s about you. Few people get that sometimes, if not most times, when you write a book it’s about getting OUT of you. Just like reading is, right?



Book of Shadows is about a cynical Boston cop who teams up with a mysterious Salem witch to solve what looks like a Satanic murder.
So naturally everyone who reads it assumes that I’m a witch (that’s with a "w"). Oh, the interviewers don’t come right out and say it, but you know that’s what they’re asking.

Well, I’m not. Really. Not really. No more than any woman is a witch.
But I can’t deny that writing Book of Shadows was a really excellent opportunity for me to indulge some of my witchier nature. I wanted to dive right in and explore some of those things that make some men – and a lot of women – uncomfortable with feminine power, and feminine energy, and feminine sexuality, and feminine deity.


I was working up to this book for quite a while. I’ve been around practicing witches most of my life. That’s what happens when you grow up in California, especially Berkeley. Actually the Berkeley part pretty much explains why I write supernatural to begin with, but that’s another post. Those of you who have visited Berkeley know that Telegraph Avenue, the famous drag that ends at the Berkeley campus, is a gauntlet of clothing and craft vendors, artists, and fortunetellers, forever fixed in the sixties. Well, look a little closer, and you’ll see just how many pagans, Wiccans, and witches there actually are.

I’ve walked that gauntlet thousands of times in my life. It does something to your psyche, I’m telling you.


There was also the Renaissance Pleasure Faire, where I spent many summer days in my interestingly misspent youth. Renaissance Faires are teeming with witches (check out the Fortune Tellers’ Grove next time if you don’t believe me).

So even though I don’t actually practice, not in an organized covenish kind of way, I’ve been to a ceremony or two, and you could say I’ve been researching this book for quite some time. In fact, I think I’ve known I was going to write this book ever since I first saw a "Calling of The Corners," a Craft ceremony which is one of the ritual scenes I depict in "Book of Shadows." It’s one of the most extraordinary spiritual experiences I've ever had -- such elemental, feminine power.
And in everyday life, there some things that are just useful to know about the Craft.
I’m not much one for spells, I’m more of a meditator. But when I had to kick my evil tenants out of my rental house? A cleaning service was just not enough. You better believe that the second the locksmith was done changing the locks, I was down at the witch supply store, buying black and white candles (for protection and cleansing), and sage (smudge it for purification). I opened every window and swept the whole house widdershins (to the left, to dismiss) with a new broom dipped in salt and rosemary to dispel all lingering energy. Ritual works, and it doesn’t really matter what accoutrements you use; it’s really about the intention: in this case to cleanse, heal, and start over fresh.



Another concept of the Craft that I’ve always found particularly useful is Maiden, Mother, Crone. Those are the three aspects of the Goddess, and also the three phases of the moon, corresponding colors white, red and black. They represent the three cycles of a woman’s life – youth, womanhood and age – but women also pass through all three aspects every month when they’re menstruating, and knowing that has saved my life (and the lives of many of those around me) many a time.

The time right after your period is Maiden: you have a rush of estrogen, so you’re glowing, you’ve just dropped all that water weight, you have a ton of energy, and you’re – well, up for it. And men can sense it. Best time to snag a partner, although your choices might not be exactly the best in this phase of the cycle.



The Mother (also called Queen) phase of the month is around ovulation. You’re powerful, grounded, and can get a lot done, especially creatively, because of the pregnancy connotations. It’s a sexy time in a different way than Maiden, because there’s the extra knowledge 
that yes, you really can get pregnant right now.



The Crone phase is raging PMS and the "death" that a period often feels like. Wise people know to avoid you at this time unless they really want a faceful of truth, and I try not to schedule meetings, especially with men, when I’m in this phase. Best for me to be solitary and contemplative. And contain the damage.
But the things that come out of your mouth during this phase are the deep truth, even if they’re not pleasant, and if you remember to breathe, put the knife down, and pay attention to what you’re feeling and saying, you can learn a lot about your life and what you really need to be doing. Also your dreams will tend to be the most powerful, vivid, and significant in this phase. I know mine are.



I appreciate the earth/nature centeredness of the Craft. I like to be aware of whether the moon is waxing or waning, and focus on bringing things into my life during the waxing, and letting go of things (or people!) in the waning. And I like knowing that there is extra power and magic at the Solstices and Equinoxes; that knowledge makes me stop at least four times a year to consider what I really want to manifest in my life.

(Obviously I used all of that Moon knowledge and more in the Huntress Moon series, too…)

Let’s face it: I also like the clothes. With my hair, I’ll never be able to pull off the tailored look. I love lace and fishnets and velvet and sparkles and corsets and big jewelry. I love the candles and the scents and that every day has a color (today is white, if you’re wondering).
And there is another aspect of the Craft that has been truly important to me, spiritually. It’s about balance. I have never, ever bought the idea that God is male. It runs contrary to my entire experience of reality. I love you guys, really I do, but you’re only half the equation. I can’t see how an ultimate power could be anything but BOTH male and female. So the notion of a Goddess, in all Her forms, to me, completes the equation.



These days, we need all the feminine power we can get.

So how about you? What’s your take on witches? Are you familiar with the way witchcraft is actually practiced, or is that whole world completely mysterious to you? Or do you do the odd spell or two yourself?

-- Alexandra Sokoloff

Tuesday, August 11, 2015

FLASH SALE - Book of Shadows, 99p in the UK!

My spooky thriller Book of Shadows is just 99p in the UK today  ($3.99 US and worldwide).

"A wonderfully dark thriller with amazing "Is-it-isn't-it?"suspense all the way to the end. Highly recommended." - Lee Child





Book of Shadows is about a cynical Boston cop who teams up with a mysterious Salem witch to solve what looks like a Satanic murder. 
It’s fascinating to me how when you write a book, everyone always assumes it’s about you. Few people get that sometimes, if not most times, when you write a book it’s about getting OUT of you. Just like reading is, right?


So naturally everyone who reads it assumes that I’m a witch (that’s with a "w"). Oh, the interviewers don’t come right out and say it, but you know that’s what they’re asking.

Well, I’m not. Really. Not really. No more than any woman is a witch.
But I can’t deny that writing Book of Shadows was a really excellent opportunity for me to indulge some of my witchier nature. I wanted to dive right in and explore some of those things that make some men – and a lot of women – uncomfortable with feminine power, and feminine energy, and feminine sexuality, and feminine deity.


I was working up to this book for quite a while. I’ve been around practicing witches most of my life. That’s what happens when you grow up in California, especially Berkeley. Actually the Berkeley part pretty much explains why I write supernatural to begin with, but that’s another post. Those of you who have visited Berkeley know that Telegraph Avenue, the famous drag that ends at the Berkeley campus, is a gauntlet of clothing and craft vendors, artists, and fortunetellers, forever fixed in the sixties. Well, look a little closer, and you’ll see just how many pagans, Wiccans, and witches there actually are.

I’ve walked that gauntlet thousands of times in my life. It does something to your psyche, I’m telling you.


There was also the Renaissance Pleasure Faire, where I spent many summer days in my interestingly misspent youth. Renaissance Faires are teeming with witches (check out the Fortune Tellers’ Grove next time if you don’t believe me).

So even though I don’t actually practice, not in an organized covenish kind of way, I’ve been to a ceremony or two, and you could say I’ve been researching this book for quite some time. In fact, I think I’ve known I was going to write this book ever since I first saw a "Calling of The Corners," a Craft ceremony which is one of the ritual scenes I depict in "Book of Shadows." It’s one of the most extraordinary spiritual experiences I've ever had -- such elemental, feminine power.
And in everyday life, there some things that are just useful to know about the Craft.
I’m not much one for spells, I’m more of a meditator. But when I had to kick my evil tenants out of my rental house? A cleaning service was just not enough. You better believe that the second the locksmith was done changing the locks, I was down at the witch supply store, buying black and white candles (for protection and cleansing), and sage (smudge it for purification). I opened every window and swept the whole house widdershins (to the left, to dismiss) with a new broom dipped in salt and rosemary to dispel all lingering energy. Ritual works, and it doesn’t really matter what accoutrements you use; it’s really about the intention: in this case to cleanse, heal, and start over fresh.



Another concept of the Craft that I’ve always found particularly useful is Maiden, Mother, Crone. Those are the three aspects of the Goddess, and also the three phases of the moon, corresponding colors white, red and black. They represent the three cycles of a woman’s life – youth, womanhood and age – but women also pass through all three aspects every month when they’re menstruating, and knowing that has saved my life (and the lives of many of those around me) many a time.

The time right after your period is Maiden: you have a rush of estrogen, so you’re glowing, you’ve just dropped all that water weight, you have a ton of energy, and you’re – well, up for it. And men can sense it. Best time to snag a partner, although your choices might not be exactly the best in this phase of the cycle.



The Mother (also called Queen) phase of the month is around ovulation. You’re powerful, grounded, and can get a lot done, especially creatively, because of the pregnancy connotations. It’s a sexy time in a different way than Maiden, because there’s the extra knowledge 
that yes, you really can get pregnant right now.



The Crone phase is raging PMS and the "death" that a period often feels like. Wise people know to avoid you at this time unless they really want a faceful of truth, and I try not to schedule meetings, especially with men, when I’m in this phase. Best for me to be solitary and contemplative. And contain the damage.
But the things that come out of your mouth during this phase are the deep truth, even if they’re not pleasant, and if you remember to breathe, put the knife down, and pay attention to what you’re feeling and saying, you can learn a lot about your life and what you really need to be doing. Also your dreams will tend to be the most powerful, vivid, and significant in this phase. I know mine are.



I appreciate the earth/nature centeredness of the Craft. I like to be aware of whether the moon is waxing or waning, and focus on bringing things into my life during the waxing, and letting go of things (or people!) in the waning. And I like knowing that there is extra power and magic at the Solstices and Equinoxes; that knowledge makes me stop at least four times a year to consider what I really want to manifest in my life.

(Obviously I used all of that Moon knowledge and more in the Huntress Moon series, too…)

Let’s face it: I also like the clothes. With my hair, I’ll never be able to pull off the tailored look. I love lace and fishnets and velvet and sparkles and corsets and big jewelry. I love the candles and the scents and that every day has a color (today is white, if you’re wondering).
And there is another aspect of the Craft that has been truly important to me, spiritually. It’s about balance. I have never, ever bought the idea that God is male. It runs contrary to my entire experience of reality. I love you guys, really I do, but you’re only half the equation. I can’t see how an ultimate power could be anything but BOTH male and female. So the notion of a Goddess, in all Her forms, to me, completes the equation.



And a Supreme Being who likes velvet and fishnets? Even better.



So how about you? What’s your take on witches? Are you familiar with the way witchcraft is actually practiced, or is that whole world completely mysterious to you? Or do you do the odd spell or two yourself?

-- Alexandra Sokoloff


Book of Shadows

Homicide detective Adam Garrett is already a rising star in the Boston police department when he and his cynical partner, Carl Landauer, catch a horrifying case that could make their careers: the ritualistic murder of a wealthy college girl that appears to have Satanic elements.

The partners make a quick arrest when all evidence points to another student, a troubled musician in a Goth band who was either dating or stalking the murdered girl. But Garrett's case is turned upside down when beautiful, mysterious Tanith Cabarrus, a practicing witch from nearby Salem, walks into the homicide bureau and insists that the real perpetrator is still at large. Tanith claims to have had psychic visions that the killer has ritually sacrificed other teenagers in his attempts to summon a powerful, ancient demon.

All Garrett's beliefs about the nature of reality will be tested as he is forced to team up with a woman he is fiercely attracted to but cannot trust, in a race to uncover a psychotic killer before he strikes again.


  









"Sokoloff successfully melds a classic murder-mystery/whodunit with supernatural occult undertones." - Library Journal


"Compelling, frightening and exceptionally well-written, Book of Shadows is destined to become another hit for acclaimed horror and suspense writer Sokoloff. The incredibly tense plot and mysterious characters will keep readers up late at night, jumping at every sound, and turning the pages until they've devoured the book." - Romantic Times Book Reviews

"Fast-paced with strong characterizations, fans will enjoy this superb thriller, as Adam and the audience wonder if The Unseen could be the killer." - Publisher's Weekly

"A wonderfully dark thriller with amazing is-it-isn't-it suspense all the way to the end. Highly recommended." - Lee Child


Monday, September 1, 2014

HAUNTED boxed set on sale this week


There's a Kindle Countdown sale going on of HAUNTED, the boxed set of three of my supernatural thrillers. Today just 99c!

Amazon US

The boxed set contains the full novels The Harrowing (a Bram Stoker and Anthony Award nominee for Best First Novel), The Unseen, and Book of Shadows. The set is normally sold for $5.99. This week you can get it for 99 cents if you act today, $1.99 if you buy it tomorrow, $2.99 if you wait two days (you get the drift!) 

All three books were originally published by St. Martin’s Press and are available separately in both print and e-book form.



More about the set:

“Some of the most original and freshly unnerving work in the genre.” 
—The New York Times Book Review

Sokoloff does exhaustive research and writes hauntings and paranormal experiences the way they are actually reported to occur in real life. The Harrowing, Sokoloff’s 2006 debut novel, is based on her own real-life teenage brush with a poltergeist while attending a high school that was rumored to be haunted by a girl who died the night of her prom in the 1920’s. The Unseen (2009) was inspired by the world-famous ESP experiments conducted by Dr. J.B. Rhine in the Duke University parapsychology lab from the 1920s to the 1960s. The haunted mansion in The Unseen is based a real writers’ retreat in central North Carolina where Sokoloff lived for a week with a group of mystery author friends. Book of Shadows (2010) was drawn from Sokoloff’s own experience with the “Calling of the Corners” witchcraft ceremony.

In addition to her meticulous research, Sokoloff’s experience as a Hollywood screenwriter of horror films enables her to take readers on a non-stop thrill ride. The HAUNTED boxed set brings three of her acclaimed thrillers together in one low-priced e-book set available now for download. 

Monday, July 14, 2014

Book of Shadows, on sale: 99 cents

My spooky (and maybe - but maybe not! - supernatural) crime thriller Book of Shadows is on sale, just 99 cents.







Click to download your copy:

Amazon US
Amazon UK
Amazon DE
Amazon FR
Amazon ES
Amazon IT









Book of Shadows

Homicide detective Adam Garrett is already a rising star in the Boston police department when he and his cynical partner, Carl Landauer, catch a horrifying case that could make their careers: the ritualistic murder of a wealthy college girl that appears to have Satanic elements.

The partners make a quick arrest when all evidence points to another student, a troubled musician in a Goth band who was either dating or stalking the murdered girl. But Garrett's case is turned upside down when beautiful, mysterious Tanith Cabarrus, a practicing witch from nearby Salem, walks into the homicide bureau and insists that the real perpetrator is still at large. Tanith claims to have had psychic visions that the killer has ritually sacrificed other teenagers in his attempts to summon a powerful, ancient demon.

All Garrett's beliefs about the nature of reality will be tested as he is forced to team up with a woman he is fiercely attracted to but cannot trust, in a race to uncover a psychotic killer before he strikes again.



Read the first two chapters

"A wonderfully dark thriller with amazing is-it-isn't-it suspense all the way to the end. Highly recommended." - Lee Child

"Sokoloff successfully melds a classic murder-mystery/whodunit with supernatural occult undertones." - Library Journal

"Compelling, frightening and exceptionally well-written, Book of Shadows is destined to become another hit for acclaimed horror and suspense writer Sokoloff. The incredibly tense plot and mysterious characters will keep readers up late at night, jumping at every sound, and turning the pages until they've devoured the book."
 - Romantic Times Book Reviews

"Fast-paced with strong characterizations, fans will enjoy this superb thriller, as Adam and the audience wonder if The Unseen could be the killer." - Publisher's Weekly


--------------------------------------------------------------------

Thursday, October 3, 2013

October giveaway: BOOK OF SHADOWS

Halloween is coming and to celebrate I'm giving away 31 signed hardcovers of my spooky thriller BOOK OF SHADOWS.

Just sign up for my mailing list on the home page of this website (there's a box on the left) to be automatically entered in the drawing!

And if you don't want to wait, BOOK OF SHADOWS is available on as an e book in the UK, Germany, France, Italy and Spain, for $3.99 in the US, £1.31 on Amazon.uk, and €3.21 on Amazon.de, Amazon.fr, Amazon.it, and Amazon.es.





Amazon
Amazon UK
Amazzon DE





“A wonderfully dark thriller with amazing is-it-isn't-it suspense all the way to the end. Highly recommended.”---Lee Child

Homicide detective Adam Garrett is already a rising star in the Boston police department when he and his cynical partner, Carl Landauer, catch a horrifying case that could make their careers: the ritualistic murder of a wealthy college girl that appears to have Satanic elements.

The partners make a quick arrest when all evidence points to another student, a troubled musician in a Goth band who was either dating or stalking the murdered girl. But Garrett’s case is turned upside down when beautiful, mysterious Tanith Cabarrus, a practicing witch from nearby Salem, walks into the homicide bureau and insists that the real perpetrator is still at large. Tanith claims to have had psychic visions that the killer has ritually sacrificed other teenagers in his attempts to summon a powerful, ancient demon.

All Garrett's beliefs about the nature of reality will be tested as he is forced to team up with a woman he is fiercely attracted to but cannot trust, in a race to uncover a psychotic killer before he strikes again.


"Compelling, frightening and exceptionally well-written, Book of Shadows is destined to become another hit for acclaimed horror and suspense writer Sokoloff. The incredibly tense plot and mysterious characters will keep readers up late at night, jumping at every sound, and turning the pages until they've devoured the book." --- Romantic Times Book Reviews, 4 1/2 stars

"Sokoloff successfully melds a classic murder-mystery/whodunit with supernatural occult undertones." --- Library Journal

"As usual, Sokoloff (The Unseen) does a good job keeping the reader guessing whether a supernatural agency is really at work." - Publishers Weekly





Thursday, January 24, 2013

Are you a good witch or a bad witch?


I have witches on the brain this week. First, I'm breaking down The Wizard of Oz with my film class, and am blogging about it on my Screenwriting Tricks blog

Then my Llewellyn's Witch's Datebook came this week. Very exciting, especially since I need to track the progression of the moon very closely to figure the exact chronology of the events in Blood Moon. I also love knowing the color of every day, and browsing through the other cool Craft tips and tricks.

Now, I’m not a witch. Really. Not really. No more than any woman is a witch.
ShadowsSMYes, my thriller Book of Shadows is about a cynical Boston cop who teams up with a mysterious Salem witch to solve what looks like a Satanic murder. And naturally ever since it came out people have assumed I’m a witch (that’s with a "w"). Oh, the interviewers don’t come right out and say it, but you know that’s what they’re asking,
The fact is, every time you write a book everyone always assumes it’s about you. Few people get that most times when you write a book, it’s about getting OUT of yourself. Just like reading is, right?
But I can’t deny that writing Book of Shadows was a really excellent opportunity for me to indulge some of my witchier nature. I wanted to dive right in and explore some of those things that make some men – and a lot of women – uncomfortable with feminine power, and feminine energy, and feminine sexuality, and feminine deity.

And I’ve been working up to this book for quite a while. I’ve been around practicing witches most of my life. That’s what happens when you grow up in California, especially Berkeley. Actually the Berkeley part pretty much explains why I write supernatural to begin with, but that’s another post. Those of you who have visited Berkeley know that Telegraph Avenue, the famous drag that ends at the Berkeley campus, is a gauntlet of clothing and craft vendors, artists, and fortune tellers, forever fixed in the sixties. Well, look a little closer, and you’ll see just how many pagans, Wiccans, and witches there actually are.

I’ve walked that gauntlet thousands of times in my life. It does something to your psyche, I’m telling you.

There was also the Renaissance Pleasure Faire, where I spent many springtime days in my interestingly misspent youth. Renaissance Faires are teeming with witches (check out the Fortune Tellers’ Grove next time if you don’t believe me).

So even though I don’t actually practice, not in an organized covenish kind of way, I’ve been to a ceremony or two, and you could say I’ve been researching this book for quite some time. In fact, I think I’ve known I was going to write this book ever since I first saw a "Calling of The Corners," a Craft ceremony which is one of the ritual scenes I depict in Book of Shadows. It’s one of the most extraordinary spiritual experiences I've ever had -- such elemental, feminine power.

And in everyday life, there some things that are just useful to know about the Craft.
I’m not much for spells, I’m more of a meditator. But when I had to kick my evil tenants out of my rental house? A cleaning service was just not enough. You better believe that the second the locksmith was done changing the locks, I was down at the witch supply store, buying black and white candles (for protection and cleansing), and sage (smudge it for purification). I opened every window and swept the whole house widdershins (to the left, to dismiss) with a new broom dipped in salt and rosemary to dispel all lingering energy. Ritual works, and it doesn’t really matter what accoutrements you use; it’s really about the intention: in this case to cleanse, heal, and start over fresh.

Another concept of the Craft that I’ve always found particularly useful is Maiden, Mother, Crone. Those are the three aspects of the Goddess, and also the three phases of the moon, corresponding colors white, red and black. They represent the three cycles of a woman’s life – youth, womanhood and age – but women also pass through all three aspects every month when they’re menstruating, and knowing that has saved my life (and the lives of many of those around me) many a time.

The time right after your period is Maiden: you have a rush of estrogen, so you’re glowing, you’ve just dropped all that water weight, you have a ton of energy, and you’re – well, up for it. And men can sense it.  Best time to snag a partner, although your choices might not be exactly the best in this most optimistic phase of the cycle.

The Mother (also called Queen) phase of the month is around ovulation. You’re powerful, grounded, and can get a lot done, especially creatively, because of the pregnancy connotations. It’s a sexy time in a different way than Maiden, because there’s the extra knowledge that yes, you really can get pregnant right now.

The Crone phase is raging PMS and the "death" that a period often feels like. Wise people know to avoid you at this time unless they want a faceful of truth, and I try not to schedule meetings, especially with men, when I’m in this phase. Best for me to be solitary and contemplative. And contain the damage.

But the things that come out of your mouth during this phase are the deep truth, even if they’re not pleasant, and if you remember to breathe, put the knife down, and pay attention to what you’re feeling and saying, you can learn a lot about your life and what you really need to be doing. Also your dreams will tend to be the most powerful, vivid, and significant in this phase. I know mine are.

I appreciate the earth/nature centeredness of the Craft. I like to be aware of whether the moon is waxing or waning, and focus on bringing things into my life during the waxing, and letting go of things (or people!) in the waning. And I like knowing that there is extra power and magic at the Solstices and Equinoxes; that knowledge makes me stop at least four times a year to consider what I really want to manifest in my life.

Let’s face it: I also like the clothes. With my hair, I’ll never be able to pull off the tailored look. I love lace and fishnets and velvet and sparkles and corsets and big jewelry. I love the candles and the scents and that every day has its own color (today is crimson, if you’re wondering).
And there is another aspect of the Craft that has been truly important to me, spiritually. It’s about balance. I have never, ever bought the idea that God is male. It runs contrary to my entire experience of reality. I love you guys, really I do, but you’re only half the equation. I can’t see how an ultimate power could be anything but BOTH male and female. So the notion of a Goddess, in all Her forms, to me, completes the equation.

And a Supreme Being who likes velvet and fishnets? Even better.

So what’s your take on witches? Are you familiar with the way witchcraft is actually practiced, or is that whole world completely mysterious to you? Or do you do the odd spell or two yourself?
- Alex

Saturday, November 24, 2012

Holidays in the Dark


Well, the holiday season has started - I'm just waiting for the Black Friday death toll numbers to post.

You're not going to catch me out there shopping. Instead I thought I'd blog a little about holiday books.

It’s a little strange for me to think of myself as a holiday writer,  first because my own family is so exceedingly casual about holidays. The actual date means very little; as long as we celebrate within a month or so of the day, it counts.  A typical Christmas for us has traditionally been munching down avocado and turkey sandwiches while reading the (now sadly defunct) Weekly World News (Bat Boy! Alien Spawn!) aloud around the table, and ending the evening with an Absolutely Fabulous or Fawlty Towers marathon.

And since I cross mystery, thriller and supernatural, and my books fall very much on the darker side, I’m not the first person you would think to put in that cheery holiday category, either.

But then, I don’t write cheery holiday stories. True to form, my take on the holidays is a little, well, warped. And yet holidays figure prominently in almost everything I write. I’m not trying to be outré about it, honestly, it’s just that there’s so much more to most holidays than the “Good tidings to all”, overcommercialized surface we usually get.

The truth is, holidays are like candy for a supernatural author because they are so metaphorical and simply dripping with thematic and visual imagery.  You don’t have to work half as hard to create an atmosphere because the imagery and meaning have been there for thousands of years – it’s all imprinted on our unconscious.

My first novel, THE HARROWING, takes place over a long Thanksgiving weekend.  It’s an anti-Thanksgiving weekend, really: five troubled students at an isolated college have decided to stay in their creepy old Victorian dorm over the holiday break because they don’t want to go home to their dysfunctional families.

While I have to say up front I have a great time at Thanksgiving NOW, in the past it’s always been an anxious time of year for me.  Any holiday revolving around food (and what holiday doesn’t?) is fraught with tension because, to be perfectly blunt, I was a dancer, with all the attendant food issues.  I also have this theory that Thanksgiving became a major holiday mostly to give married couples a way to split up their annual holiday visits between the two different sets of in-laws. 
  
Take that familial power struggle, add football and drinking and the necessity of someone, meaning the women, being chained to an oven for a  good two or three days - and the potential for disaster is I believe higher than average.

But that makes Thanksgiving an almost perfect holiday for me, in a genre sense.

I write (and read) supernatural stories with a strong psychological component, so I’m always on the lookout for psychological crucibles.  The premise of THE HARROWING is that five lonely and troubled college students combine to attract an equally troubled spirit, and I wanted to create an atmosphere that was so tense that whatever haunting was  taking place might be explained simply as the collective neurosis of the young characters.  Thanksgiving instantly provided all the gloom, bad weather, abandonment and anxiety I could possibly hope to cram into a concentrated time period.

And it’s a completely realistic situation right from the start:  students do stay at college over the holidays, they usually do so  because they don’t WANT to go home, and there is nothing on earth spookier than a deserted campus. Perfect for a ghost story.

But on the warmer side – the story is also very much about completely disparate people coming together as a true family, the first real family any of them have ever had, and Thanksgiving is a perfect setting for that theme, as well.

I’m sorry to say that in my second novel, THE PRICE, I may have  corrupted the happy holiday ideal even further. THE PRICE is set in a labyrinthine Boston hospital, where someone who may or may not be the devil is walking the wards, making= deals with the patients and their families.   Because I figure, if there is such a thing as the devil, and if what he wants is human souls, then trolling in a children’s hospital would be like shooting fish in a barrel. What wouldn’t you do if your child was dying?

In THE PRICE the featured holiday is Easter, and of course a key theme is resurrection.   Idealistic Boston District Attorney Will Sullivan is the golden son of a political family, with a stellar reputation, a beautiful and devoted wife, Joanna, and an adorable five-year-old daughter, Sydney.  Will also has a real shot in the Massachusetts  governor’s race… until Sydney is diagnosed with a malignant, inoperable tumor.  Now Will and Joanna are living in the twilight world of Briarwood Medical Center, waiting for their baby to die, and going out of their minds with grief.   But around them, patients are recovering  against all odds, and the recoveries seem to revolve around a mysterious hospital counselor who takes a special interest in Will and his family.

Then one terrible night Sydney is rushed into emergency surgery and is not expected to survive… but instead almost overnight she goes into remission.  Except that Will doubts this miraculous recovery, and must race to uncover the truth in order to save his family.

Easter is the season of miracles, and perfect for the story, which goes from the bleak, cold, stark hopeless dead of winter (in Boston!  The very thought strikes terror into my Southern California soul…) to warm, lush, colorful, abundant spring when Sydney miraculously starts to recover (and believe me, the one actual winter I ever spent on the East Coast, it really was a miracle to see spring arrive seemingly overnight).  The themes of sacrifice for love, redemption through suffering, salvation, return from the dead, and above all, what we are truly willing to do for those we love - are all part of the deep mythos of Easter.   It’s also easy to get your main characters into church (those gorgeous Boston cathedrals…) where certain moral and thematic  issues can be played out, and the idea of the devil in the flesh – or perhaps just in the main characters’ minds – does not seem so far-fetched.

As an added bonus, Easter is an incredibly visually rich holiday to mine when one of your main characters is five years old.   Easter bunnies, chocolate eggs, fluffy flowery dresses… the latent set designer in me just had a great time with that one.

And to further stand the idea of happy holidays on its (their?) head… or maybe I mean take it back to the source, my police procedural BOOK OF SHADOWS revolves around pagan holidays (that is, literally, Holy Days):  the Summer Solstice, Lammas, Mabon.  Good grief, I can’t even do Halloween in the traditional sense… it’s got to be Samhain.

But I guess that’s my point, here.  Holidays are so much more than  tinsel and glass balls and getting trampled to death at WalMart to the canned soundtrack of holiday music that malls and radio stations and elevators and grocery stores bombard us with relentlessly (now starting Christmas carols before Thankgsiving, please someone just kill me). There are layers of meaning to every holiday that resonate to the very core of human existence. And it’s all there for every author to explore and every reader to experience.

Give me the off-beat holidays, any day.

Wishing a profound, mythic, and non-fatal holiday season to one and all.

- Alex




Five troubled college students left alone on their isolated campus over the long Thanksgiving break confront their own demons and a mysterious presence... that may or may not be real.
Nominated for the Bram Stoker Award (horror) and Anthony Award (mystery) for Best First Novel.
“Absolutely gripping...It is easy to imagine this as a film. Once started, you won’t want to stop reading.”
--London Times
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An ambitious Boston homicide detective must team with a beautiful, mysterious witch from Salem in a race to solve a satanic killing.  

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