Tuesday, January 5, 2021

Don't start a new book. Finish the old one!

 


I know it’s the New Year, and the temptation to start completely fresh is huge. 

 

But hear me now. That does not apply to writing books. 

 

If you're in the middle of a book, you DO NOT WANT to stop to run after a shiny new idea. That is a great way not to ever get published.

 

I am pretty sure that what most aspiring authors need to be doing for the New Year—or wherever you are in the year, is to finish an old book.

 

I recently did a Zoom session with a writing group, and I started it as I always start a workshop, with these questions: 

 

     1.  The genre of your WIP (Work in Progress)

     2.  The premise of your book - the story in one or two sentences.  

     3.  A list of ten films (a few books, but at least five films) in your genre that are somewhat similar to your book structurally.    

 

Just that bit of information on my audience or students helps me focus the session or class so that everyone gets the most out of our time together. And you know what I find over and over?

 

Very few people can tell me about their ONE book.

 

Because most of the participants have five, six, seven, even eight (I’m dying here…) book or story projects going at once.

 

Oh. My. God. 

Over the years I have been astonished at how many people in my workshops have multiple projects in various stages of completion. Now, as a professional writer, I often have to work on multiple projects, but that’s the job. I’m talking about unpublished writers. It's not astonishing at all that most of these people remain unpublished. 

 

Because published authors are writers who suck it up and FINISH their books. 

 

They COMMIT. They deal with the reality of what they have written instead of the fantasy of what they thought they were writing. They develop the Teflon skin that allows them to put their work out there to be criticized—and yes, rejected. Lots of rejection.

 

Some of these unfinished projects will never be good enough to be published. The unfortunate truth of writing is that you won't know that until you finish. But you have to become a writer who finishes what you start, even if you then have to throw a whole completed project away once in a while. That is part of the process of becoming a professional writer. You must figure out how to FINISH every book you write.

 

So here’s the takeaway.

 

     DON’T start a new book. FINISH the old one.

 

Part of the writing process is picking the right premise to begin with, which we'll get into soon. But another critical part of that process is ramming your head into a concrete wall (metaphorically speaking) until you're battered and bloody but you finally figure out how to make that particular book work. Some books are just harder than others, but you must demonstrate to the Universe that you are willing to do whatever it takes to make ANY book work. It's a trust thing. Your books must trust you to fully commit to them.

 

And that time is never wasted, even if you never make money off that book. It is professional—and more importantly, creative—development. 


I have a book hidden in my files in the Cloud that I could be making quite a lot of money on if I just self-published it, or even had my agent go for a traditional publishing deal on it. People would buy it and a lot of readers would enjoy it. One of my trusted Beta readers says it’s her favorite of all my books.

 

I know all that.

 

But for me—it's not as good as the rest of my books and I don't want it out there. It just doesn’t have the theme, the meaning I want in my books.

 

I finished it, evaluated it—and then put it away and wrote another. 

 

That was a big gap in my publishing schedule, let me tell you. Good thing I had some savings.

 

BUT—my next book was Huntress Moon, a real breakthrough in my writing. It was the book and series I was meant to write. The Huntress series combines my political and social activism, my rage at the abuse of children and women and the plain fact that we are not yet as a society committed to ENDING that abuse, and my skill at working those issues into highly readable thrillers. Because I’ve written this series, I honestly could die right now and feel that I’d fulfilled one crucial thing I was meant to do on this planet.

 

The series has made me a mint. It was nominated for a Thriller Award and won an Audie Awared (Best Audiobook, Crime & Thriller). And, oh yeah - it was bought for television, too.

 

So my putting that other book away? I don't think that's a coincidence. I think my creative mind and the Universe understood that I was finally ready to do more, mean more, with my writing.

 

So I beg you all, just as I am begging my workshop students. If you haven't finished the book you're on, DON'T start a new book for the New Year (or Nanowrimo, or Junowrimo) just because.

 

Commit to the book you're already writing, in whatever stage of the process you're at, and finish THAT one.

 

And then go get published.

 

- Alex

 

(This week I heard from a good friend, a fabulous director and writing professor, who says she passed an earlier post of mine like this on to a student of hers - who took the advice, FINISHED her book, and just landed an agent! Just saying....) 

 


 


STEALING HOLLYWOOD ebook, $3.99    
STEALING HOLLYWOOD print, $14.99









WRITING LOVE ebook, $2.99






 

Friday, January 1, 2021

5 minutes of writing per day for a year equals a book

2020 was a hell of a year. I know I’m not the only one to be glad for a chance to take out the trash and start fresh.

I actually got a lot done last year. I launched an online writing class. I had Covid in the spring and recovered, although it took a while. I did everything I could do from a distance to help save democracy.

And I wrote a book. Not just a book—the biggest book I’ve ever written. The first of a new series that’s different from anything I’ve ever written before.

How did I do it? By writing five minutes a day. I never stopped writing. Even if I only spent five minutes a day on it. I don’t think it’s said often enough that you CAN write a novel (or a script, or a TV pilot....) in whatever time you have. Even if that’s only five minutes a day. If you have kids, if you have the day job from hell, if you are clinically depressed, if there’s a pandemic, if democracy seems to be crumbling around you— whatever is going on in your life, if you have five minutes a day, as long as you write EVERY DAY, to the best of your ability, you can write a novel that way.

Five minutes a day for a year equals a book.

I’ll say it again.

Five minutes of writing a day for a year equals a book.

I wrote my first novel, The Harrowing, by writing just five minutes per day. My day job was screenwriting, at the time, and yes, it was a writing job, but it had turned into the day job from hell. But fury is a wonderful motivator and at the end of the day, every day, I was so pissed off at the producers I was working for that I would make myself write five minutes a day on the novel EVERY NIGHT, just out of spite.

Okay, the trick to this is – if you write five minutes a day, you will write more than five minutes a day, sometimes a whole hell of a lot more than five minutes a day most days. But it’s the first five minutes that are the hardest. And that often ended up happening. Sometimes I was so tired that all I could manage was a sentence, but I would sit down at my desk and write that one sentence. But some days I’d tell myself all I needed to write was a sentence, and I’d end up writing three pages.

It’s just like the first five minutes of exercise, something I learned a long time ago. As long as I can drag myself to class (or now, to the living room) and endure that first five minutes of the workout, and I give myself permission to leave after five minutes if I want to, I will generally do the whole class, and usually end up loving it. (There are these wonderful things called endorphins, you see, and they kick in after a certain amount of exposure to pain...)

The trick to writing, and exercise, is—it’s STARTING that’s hard. I have been writing professionally for . . . well, never mind how many years. But even after all those many years—every single day, I have to trick myself into writing. I will do anything—scrub toilets, clean the cat box, do my taxes, do my mother’s taxes—rather than sit down to write. It’s absurd. I mean, what’s so hard about writing, besides everything? But I know this just like I know it about exercise. If you can just start, and commit to just that five minutes, those five minutes will turn into ten, and those ten minutes will turn into pages, and one page a day for a year is a book.

Think about it.Or better yet, write for five minutes, right now.

 

It’s the New Year. Write a book.

Happy 2021, everyone!

- Alex

Friday, October 9, 2020

Nanowrimo Prep - free mini-workshop!

As anyone who's read this blog knows, I do a Nanowrimo Prep series every October to help writers do some planning to get the most ouf of their November writing session. This year I'm going multi-media and doing it as a free mini-workshop on Teachable.com, with videos, assignments, and discussions to help you jump-start the book you're going to write this winter — and sell in the New Year! Hope you can join! -- You can access the course here.

Thursday, May 21, 2020

New Screenwriting Tricks for Authors video: Act I checklist!

From the Calendar of Canceled Cons:

Today I would have been in the Scottish Borders, teaching Screenwriting Tricks for Authors at the Borders Writing Forum. I had other workshops scheduled this year in Ireland, New Zealand, Australia and L.A. That’s a lot to miss out on!

I guess it’s no wonder I started doing videos of the workshop instead.

I’ve just finished the tenth video, an Act One Elements Checklist, and we’ve worked through all the essential story elements of Act I. Each video is just about 10 minutes long, with exercises that will take 15-20 minutes of your time and get you writing that book or script you’ve always wanted to write - and watching great movies that will inspire you to get it done.
At this rate, we’ll all have those books finished in no time!
Even writing full time on the first book in my new series, I’m managing one video a week, with many more to come. There was a steep learning curve with the editing software, and some of the equipment I could really use is still on backorder because of excessive demand in these days of Zoom - everything. Also I was sick for weeks, most likely with the thing, so doing anything productive is a minor miracle.
But I’ve finally realized that getting the workshop fully recorded is like writing a book. You just do one chapter at a time until it’s done. Right? Eventually you reach a state of critical mass where the book is more real than not real, and you can’t imagine not finishing. 
 
Here’s the Introduction:

And here’s the very fevery Lesson #1.
If you’ve been keeping up, here’s the new one, an Act One Elements Checklist.
Each next video should play after the one you’re watching is finished, and these first ten will get you all the way through your own Act I.
This week I’m also sending out a newsletter with a very detailed breakdown of Act I of The Hunger Games, demonstrating all the essential story elements that we’ve been going through. If you’re on my Screenwriting Tricks mailing list you’ll get that automatically. If you get notifications from me through this blog, you may need to sign up for the STFA list to get those bonus materials. Don’t worry, you won’t get double notifications! 
And of course, you can always get the full course from the workbooks, links below! 
In the meantime, stall safe and well! Craig and I are in lockdown in Scotland until the end of the month, when a couple of restrictions may be eased. I’m really grateful to have a First Minister who’s taking all precautions, with empathy and compassion. It makes all the difference in the world.
-        Alex


___________________________________________________________________


                                          STEALING HOLLYWOOD

The workbook is a full course in writing a novel or script in any genre. All the tricks I’ve learned in my years of writing and teaching—including ten full movie breakdowns.

 


STEALING HOLLYWOOD ebook    $3.99
STEALING HOLLYWOOD print   $15.99







 
WRITING LOVE

Writing Love is a shorter version of the workbook, using examples from love stories, romantic suspense, and romantic comedy - available in e formats for just $2.99.




- Amazon/Kindle
 
- Smashwords (includes online viewing and pdf file)

- Barnes & Noble/Nook







---------------------

You can also sign up to get free movie breakdowns here:

Wednesday, May 13, 2020

Writing in Lockdown - Screenwriting Tricks for Authors online

We’ve been in lockdown for six weeks. And that very first week, for some demon - I mean reason -  I almost immediately decided to record my Screenwriting Tricks for Authors workshop in short videos.
Probably because I had several upcoming workshops, more than usual, that were canceled/postponed due to lockdowns in various countries.
Or maybe I just knew deep down that only a pandemic could get me to focus long enough to actually get it done.
I’ve just finished the tenth video, doing one a week, with many more to come. Each is just about 10 minutes long, with exercises that will take 15-20 minutes of your time and get you writing that book or script you’re always wanted to write. Might as well get some great writing out of this!
It’s a lot of work, and I’m writing full-time on the first book in a new series at the same time. There was a steep learning curve with the editing software, and some of the equipment I could really use is still on backorder because of excessive demand in these days of Zoom - everything. 
Also I was sick for weeks, most likely with the thing, so doing anything productive is a minor miracle.
But I’ve finally realized that getting the workshop fully recorded is like writing a book. You just do one chapter at a time until it’s done. Right? Eventually you reach a state of critical mass where the book is more real than not real, and you can’t imagine not finishing.
Here’s the Introduction:


And here’s the very fevery Lesson #1. I should have been in bed!! Even the light looks hot. 
Each next video should play after the one you’re watching is finished.
Hope to see some of you posting in the Comments of the channel! I'm happily incorporating movie requests into the videos.
 And besides that, how's your lockdown going? Really hoping everyone is staying safe and well.
- Alex



___________________________________________________________________


                                          STEALING HOLLYWOOD

The workbook is a full course in writing a novel or script in any genre. All the tricks I’ve learned in my years of writing and teaching—including ten full movie breakdowns.

 


STEALING HOLLYWOOD ebook    $3.99
STEALING HOLLYWOOD print   $15.99








 
WRITING LOVE

Writing Love is a shorter version of the workbook, using examples from love stories, romantic suspense, and romantic comedy - available in e formats for just $2.99.


- Smashwords (includes online viewing and pdf file)

- Amazon/Kindle

- Barnes & Noble/Nook

- Amazon UK

- Amazon DE


---------------------

You can also sign up to get free movie breakdowns here:


Friday, November 8, 2019

Huge Huntress sale & new audiobook!


SHADOW MOON is now in print and audio!!
                
It’s been a longer time coming than expected, but we were working on a special audiobook for Shadow Moon, and - it’s here!   

Of course RC Bray is back (Voice Arts Award Winner for Huntress Moon) and produced the book with his new audiobook company, Blue Heron Audio - with male and female narration, this time.



And the print version here:

I want to reward everyone for their patience, so here are a couple of great deals for you.
  
SHADOW MOON is FREE!

For November 8-11, you can get the ebook of Shadow Moon for free! The book is also available at www.FreeMysteryEbooks.com , where you can also download 29 other mystery titles for free (pick and choose, or in the US, download all the titles with just two clicks).

And for those of you who need to catch up…

BOOKS 1-5 OF THE HUNTRESS SERIES ON SALE

Books 1-5 in the series are also on sale for Kindle in November, 

Just 99 cents US - (through November 30)

And 99p UK (through November 10 only)



                                               Shop the series

So there you are - the entire series now available for a limited time at an incredible discount. I can't wait to hear what you think!


-        Alex

Sunday, July 14, 2019

Get 30 free thrillers - including Book of Shadows!

For Prime Day (July 15-16) I'm participating in a 30-thriller giveaway. You can pick and choose, or just go to the linked page, click the ADD ALL TO AMAZON CART button. and get all thirty delivered to your Kindle, including my witch thriller Book of Shadows. 

 https://www.freethrillerebooks.com

  
  Homicide detective Adam Garrett is already a rising star in the Boston police department when he and his cynical partner catch a horrifying case that could make their careers: the ritualistic murder of a wealthy college girl that appears to have Satanic elements.

The partners make a quick arrest when all evidence points to a troubled musician in a Goth band who was either dating or stalking the murdered girl. But Garrett's case is turned upside down when beautiful, mysterious Tanith Cabarrus, a practicing witch from nearby Salem, walks into the homicide bureau and insists that the real perpetrator is still at large. Tanith claims to have had psychic visions that the killer has ritually sacrificed other teenagers in his attempts to summon a powerful, ancient demon.

All Garrett's beliefs about the nature of reality will be tested as he is forced to team up with a woman he is fiercely attracted to but cannot trust, in a race to uncover a psychotic killer before he strikes again.


"A wonderfully dark thriller with amazing is-it-isn't-it suspense all the way to the end. Highly recommended." - Lee Child

"Sokoloff successfully melds a classic murder-mystery/whodunit with supernatural occult undertones." - Library Journal


"Compelling, frightening and exceptionally well-written, Book of Shadows is destined to become another hit for acclaimed horror and suspense writer Sokoloff. The incredibly tense plot and mysterious characters will keep readers up late at night, jumping at every sound, and turning the pages until they've devoured the book." - Romantic Times Book Reviews

"Fast-paced with strong characterizations, fans will enjoy this superb thriller, as Adam and the audience wonder if The Unseen could be the killer." - Publisher's Weekly


And here's a plus - the audiobook of Book of Shadows is narrated by RC Bray, my fantastic narrator from the Huntress series. Get it on Audible for $7.49 or 1 credit!



MORE ABOUT BOOK OF SHADOWS

It’s fascinating to me how when you write a book, everyone always assumes it’s about you. Few people get that sometimes, if not most times, when you write a book it’s about getting OUT of you. Just like reading is, right?



Book of Shadows is about a cynical Boston cop who teams up with a mysterious Salem witch to solve what looks like a Satanic murder.
So naturally everyone who reads it assumes that I’m a witch (that’s with a "w"). Oh, the interviewers don’t come right out and say it, but you know that’s what they’re asking.

Well, I’m not. Really. Not really. No more than any woman is a witch.
But I can’t deny that writing Book of Shadows was a really excellent opportunity for me to indulge some of my witchier nature. I wanted to dive right in and explore some of those things that make some men – and a lot of women – uncomfortable with feminine power, and feminine energy, and feminine sexuality, and feminine deity.


I was working up to this book for quite a while. I’ve been around practicing witches most of my life. That’s what happens when you grow up in California, especially Berkeley. Actually the Berkeley part pretty much explains why I write supernatural to begin with, but that’s another post. Those of you who have visited Berkeley know that Telegraph Avenue, the famous drag that ends at the Berkeley campus, is a gauntlet of clothing and craft vendors, artists, and fortunetellers, forever fixed in the sixties. Well, look a little closer, and you’ll see just how many pagans, Wiccans, and witches there actually are.

I’ve walked that gauntlet thousands of times in my life. It does something to your psyche, I’m telling you.


There was also the Renaissance Pleasure Faire, where I spent many summer days in my interestingly misspent youth. Renaissance Faires are teeming with witches (check out the Fortune Tellers’ Grove next time if you don’t believe me).

So even though I don’t actually practice, not in an organized covenish kind of way, I’ve been to a ceremony or two, and you could say I’ve been researching this book for quite some time. In fact, I think I’ve known I was going to write this book ever since I first saw a "Calling of The Corners," a Craft ceremony which is one of the ritual scenes I depict in "Book of Shadows." It’s one of the most extraordinary spiritual experiences I've ever had -- such elemental, feminine power.
And in everyday life, there some things that are just useful to know about the Craft.
I’m not much one for spells, I’m more of a meditator. But when I had to kick my evil tenants out of my rental house? A cleaning service was just not enough. You better believe that the second the locksmith was done changing the locks, I was down at the witch supply store, buying black and white candles (for protection and cleansing), and sage (smudge it for purification). I opened every window and swept the whole house widdershins (to the left, to dismiss) with a new broom dipped in salt and rosemary to dispel all lingering energy. Ritual works, and it doesn’t really matter what accoutrements you use; it’s really about the intention: in this case to cleanse, heal, and start over fresh.



Another concept of the Craft that I’ve always found particularly useful is Maiden, Mother, Crone. Those are the three aspects of the Goddess, and also the three phases of the moon, corresponding colors white, red and black. They represent the three cycles of a woman’s life – youth, womanhood and age – but women also pass through all three aspects every month when they’re menstruating, and knowing that has saved my life (and the lives of many of those around me) many a time.

The time right after your period is Maiden: you have a rush of estrogen, so you’re glowing, you’ve just dropped all that water weight, you have a ton of energy, and you’re – well, up for it. And men can sense it. Best time to snag a partner, although your choices might not be exactly the best in this phase of the cycle.



The Mother (also called Queen) phase of the month is around ovulation. You’re powerful, grounded, and can get a lot done, especially creatively, because of the pregnancy connotations. It’s a sexy time in a different way than Maiden, because there’s the extra knowledge 
that yes, you really can get pregnant right now.



The Crone phase is raging PMS and the "death" that a period often feels like. Wise people know to avoid you at this time unless they really want a faceful of truth, and I try not to schedule meetings, especially with men, when I’m in this phase. Best for me to be solitary and contemplative. And contain the damage.
But the things that come out of your mouth during this phase are the deep truth, even if they’re not pleasant, and if you remember to breathe, put the knife down, and pay attention to what you’re feeling and saying, you can learn a lot about your life and what you really need to be doing. Also your dreams will tend to be the most powerful, vivid, and significant in this phase. I know mine are.



I appreciate the earth/nature centeredness of the Craft. I like to be aware of whether the moon is waxing or waning, and focus on bringing things into my life during the waxing, and letting go of things (or people!) in the waning. And I like knowing that there is extra power and magic at the Solstices and Equinoxes; that knowledge makes me stop at least four times a year to consider what I really want to manifest in my life.

(Obviously I used all of that Moon knowledge and more in the Huntress Moon series, too…)

Let’s face it: I also like the clothes. With my hair, I’ll never be able to pull off the tailored look. I love lace and fishnets and velvet and sparkles and corsets and big jewelry. I love the candles and the scents and that every day has a color (today is white, if you’re wondering).
And there is another aspect of the Craft that has been truly important to me, spiritually. It’s about balance. I have never, ever bought the idea that God is male. It runs contrary to my entire experience of reality. I love you guys, really I do, but you’re only half the equation. I can’t see how an ultimate power could be anything but BOTH male and female. So the notion of a Goddess, in all Her forms, to me, completes the equation.



These days, we need all the feminine power we can get.

So how about you? What’s your take on witches? Are you familiar with the way witchcraft is actually practiced, or is that whole world completely mysterious to you? Or do you do the odd spell or two yourself?

-- Alexandra Sokoloff