I've been going a million interviews on the book and the series this month which I should link to on the website, but here for now, here are some of the most common questions (and one uncommon one!)
Tell us a bit about
your latest book, and what inspired you to write such a story.
Blood Moon is the
second in my Huntress/FBI thriller series, which follows a haunted FBI agent on
the hunt for a female serial killer. But
if you talk to FBI profilers, some will tell you that from a psychological and
forensic standpoint, there’s no such thing as a female serial killer. Women commit homicide, but not sexual
homicide. That’s a little-known fact
that has interested me for a long time. For years I’ve been looking for the
right story to explore that issue.
Then two years ago I was at the San Francisco Bouchercon, the World
Mystery Convention, and there were two back-to-back discussions with several of
my favorite authors: Val McDermid interviewing Denise Mina, then Robert Crais
interviewing Lee Child. There was a lot of priceless stuff in those two hours,
but two things that really struck me from the McDermid/Mina chat were Val
saying that crime fiction is the best way to explore societal issues, and
Denise saying that she finds powerful inspiration in writing about what makes
her angry.
Write about what makes you angry? It doesn't take me a millisecond's
thought to make my list. Child sexual abuse is the top, no contest. Violence
against women and children. Discrimination of any kind. Religious intolerance.
War crimes. Genocide. Torture.
That anger has fueled a lot of my books and scripts over the years.
And then right after that, there was Lee Child talking about Reacher, one
of my favorite fictional characters, and it got me thinking about what it would
look like if a woman were doing what Reacher was doing. And that was
it—instantly I had the whole story of Huntress Moon,
the first book in the Huntress series.
What will the reader
learn after reading your book?
They’ll learn that there is no such thing as a female serial
killer! But the series also seems to
force readers to question their own beliefs about justice and punishment and
retribution. I am thrilled that so many people find themselves torn about what
they want to see happen to my killer, and that they even find themselves hoping
for a love that really shouldn’t ever happen.
So I guess what readers learn is that there may be some vast gray areas
between good and evil.
Did your book require
a lot of research?
Tons. I made this series hard for myself by making the main
character an FBI agent, which means I had to cram a lifetime of forensics and law
enforcement procedure into several months of catch-up. Luckily author and former police detective
Lee Lofland has created a fabulous program for writers to experience hands-on
police and forensics training under the supervision of an incredible professional
staff, the annual Writers Police Academy. I couldn’t write this series without
it.
How would you
describe your creative process while writing this book? Was it
stream-of-consciousness writing, or did you first write an outline?
I am a compulsive outliner. I was a screenwriter for eleven
years, and there’s no way to do that job without precise outlining. You need to be able to tell the whole story to
the studio long before you get to sit down to write. I use index cards, the three-act, eight-sequence
structure, a story grid, the whole nine yards – all the stuff I teach in my Screenwriting Tricks for Authors
workbooks. But once I have that outline,
the first draft can and often does take off in directions I never anticipated.
The characters have their own ideas about what needs to happen. You’d be a fool not to go with the flow in
the heat of the moment, to mix a metaphor.
Agatha Christie got
her best ideas while eating green apples in the bathtub. Steven Spielberg says
he gets his best ideas while driving on the highway. When do you get your best
ideas and why do you think this is?
Hmm, I’ve never tried green apples in the bathtub. Kind of sexy!
I agree with Spielberg, though (who wouldn’t?). Driving is very good for
me. Especially for this series, since the books are all about road trips – each
book in the series is an interstate manhunt.
More precisely, a womanhunt.
Night driving is the best. I also get a lot of ideas from
dreams. The shower is good. And dance
class.
Were you an avid reader
as a child? What type of books did you enjoy reading?
I was voracious. I
read everything. But I was always most attracted to mysteries, thrillers, and
horror. Anything with a spooky cover, I
was all over it. I need the adrenaline rush!
Stephen King, of course, Ira Levin, Ray Bradbury. Early on I discovered
that I especially love the feminine perspective on crime and the supernatural –
Shirley Jackson, Daphne DuMaurier, Mary Shelley, Agatha Christie, Barbara
Vine. I think women know a lot more than
men do about terror.
As an author, what is
your greatest reward?
Without
question, having readers read my books and experience the world and the
characters just as if they’re caught up in a film. And then being able to
dialogue with them about the story and characters and their experience of the
story. It’s such an intimate relationship. Incomparable.
- Alex
Huntress Moon, $3.99
A driven FBI agent is on the hunt for that most rare of all killers:
a female serial.
Blood Moon, on sale now: 99 cents
Amazon UK
Amazon DE
